Print version: Encore: Ida Kelarova: a powerful voice for Roma culture

Few musicians in the Czech Republic have anything like the charisma of Ida Kelarova. Half Czech, half Romany, she has thrown herself into the world of Romany music, and with her strong, deeply resonant voice and immense energy, she captivates audiences at concerts she gives both in the Czech Republic and abroad. As children, Ida, and her sister Iva, who is also a well-known musician, were surrounded by music, brought up from their earliest childhood to sing and play, but nobody in the family ever talked about their Romany roots or the ancient Romany language still spoken by many Roma. This has been part of Ida's search as an adult, and she has become a powerful advocate of the right of Romany culture to be recognized in the cultural life of this country. Recently I spoke to Ida Kelarova after one of her concerts, which she gave with students from her "International School for Human Voice". This is a school she set up offering courses to help people, as she puts it, to "find their inner voice". In today's Encore, Ida talks about some of the things that are important to her.

"I feel I am half a Gypsy because my father was Gypsy, my mother Moravian. I grew up in my father's village where everything was the most magic childhood that I ever could have had, and I'm so very happy to have lived my childhood in this Gypsy family, because I felt that these people are coming really from the heart. And for me, that's what Roma people still are, and that's why their music, their writings, basically their creation, is really coming right to the heart. People get attracted to it because I feel that the world and the whole system works to really close our hearts and to be closed off and not feel this togetherness.

"I remember as a little girl, the family always sat outside at a big table in the garden and played lots of music. And I remember watching my father. His tears were running down his face expressing his love for his brother, and I was a little girl secretly watching, because they would send me to bed. I could stay there for hours, seeing by father being true and I think this is really the power of Gypsy people - that they can still keep very close to their feelings.

"Unfortunately the young people now stop, because they want to follow the system, and want to be equal with their friends. They stopped speaking the language, for example, and I think this is a great pity. So the parents, they speak to them in Roma, and they answer in Czech. This is a pity, because the language is disappearing, the culture is disappearing. All the young people want to sing a very funky, American style of music. They don't want to be identified as being Roma. So as soon as somebody has the opportunity to be not so dark, not to be so recognized, they really deny their roots, and I think this is really sad."

"Contemporary Gypsy music can surprise people, because it has nothing to do with the old traditional music. I know all the traditional songs and I can play and sing them at a party, but at a concert I want to sing something different, because today we have moved on and we are somewhere else. But as long as we keep the roots, I think it will be great to keep the identity, and I hope - and I always check - okay, we created this style or this style, we go into jazz or whatever, but the roots have to be there, and I'm really grateful that there are so many creative Gypsy people in this country. They create their own music, their own songs and their own texts, and we have many beautiful artists.

"I even organize a big festival every year at Svojanov Castle, where I bring the most incredible bands that exist in this country to help them to become more visible, so that the "Gadzo" [non-Romany] people know that they exist; because unfortunately the door is not really open yet for the Gypsy people to come into the mainstream or into the radios or the media. So it's quite closed to the Gadzo, non-Roma people. I think this is a pity because there are so many talents, and it's so beautiful to see young bands creating their own songs, composing, transforming, singing six voices in harmony and so on. I think it's really great, but what I'm feeling sad about is that on the way - because it's so hard in this country to really pull through - they give up or they get married or they find a job because they can't make a living. So my job in this country - and I feel responsible for it - is to support especially these young artists, and that's what I'm doing. That's my job.

Ida Kelarova with Apsora choir, photo: www.kelarova.com

"My father denied his roots and all his family denied his roots, because of racism. When he got married to my mother he denied his roots. All his life he pretended not to be a Gypsy. So that's why I said I was lucky, because in this Gypsy village where he was home, suddenly he was himself and he was a Gypsy man. So I was really lucky to see him like that.

"When I first heard my Grandma speaking Roma, it was when she was very ill. She lost her memory. She didn't even know her name or whatever - she completely lost her memory. But she started to speak Roma. So it was for me very, very strong. She was starting to swear in the garden, and I remember my Auntie saying, 'Quiet, quiet, quiet, because Ida is here. Don't speak Romany!' So these were the moments when I realized, 'Aha, it's really not a joke, it's really true!' Because there were always these two sides: from my family, 'Oh, we are not Gypsies,' but there was this aunt who said, "Oh, they are Gypsies!' There were moments when I realized we really are Gypsy. There was a moment when I was playing a Gypsy song on the piano and I played to my father and said, 'Listen, I've learned this song,' and he said, 'Oh, you're playing these bass notes wrong.' And he told me how to play. I realized, 'Ah, he knows how to play!'

"The language for me is very mysterious, because I am in between. I feel like I should really learn it well, but I think, 'Oh, but it's really nice not to know.' This is my position. I'm not really Gypsy, I'm not really Gadzo. I don't really speak Roma, so it's always like that with me. But I must say, I love to sing in the Roma language. It's a beautiful language. I think it's beautiful! I feel it's a language that is very, very emotional, very expressive - the words are beautiful. It's an incredible language.

"I always asked myself, 'Oh, why was my father ashamed? Why didn't he stand up and say: I am proud to be Roma'? I always say that, because I think that people should be proud of who they are and not feel ashamed of their own identity. Even if I am French, Hungarian or Russian, I should be proud that I am Roma, or whatever. So for me it's very important, and I encourage all Roma people. But in one way I also understand them, because they have it easier if they say they are not Roma. If it opens, and the situation here changes, I think the Roma people will be quite proud to say, 'I am Roma!'"

If you would like to find out more about Ida Kelarova, she has a fascinating website in both English and Czech, at www.kelarova.com.

Magic Carpet is Radio Prague's monthly music magazine that looks at music from Czech, Moravian and Silesian towns and villages. The programme covers a wide selection of genres, from traditional folk to the exotic and experimental.

It is presented by Petr Doruzka, one of the Czech Republic's foremost music journalists.
world.freemusic.cz

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